What lesson did you learn?
That keeps you treating hope
like a poison. How to draw it out?
The host rejects the donor heart.
Such a narrow mind
A nervous disposition
Inspired to fight or flight
By the slightest inconveniences
Who needs the rules?
This comes so natural
Such a weapon
Of wide spread ruin
You see a shark
And think "well, I must be a shark cause,
This tanks not big enough...
I am much too dangerous"
And I think
You may be right
Half the time
You treat the truth like a relic
unearthed by accident
an anachronism
To be studied without context
A dead technology
Far too heavy a thing
To belong to just anyone I think
That It's much too delicate
what would you have us do
because
You see a wolf
And think well I must be a wolf 'cause...
This cage ain't big enough
I am much too dangerous"
I think if anything
You might be right
half the time...
And that's just enough
to make things miserable for the rest of us
Do you blame the trap or do you blame the one who's set it
Or do you blame the victim who doesn't know better I bet
You blame the trap if you're the one who set it and you blame the victim
No one knows better I bet
You make it a point of pointing out what's only obvious
You've seen the plans and can plan all the answers ahead
Your're teeth aren't sharp but they'll get it done
Your teeth aren't sharp but they always get it done
Your teeth aren't sharp but they'll get the job done
You're a character
You're a static one
Though you march around the stage so dramatic
Like an amateur
Owns an accident
Sophomoric denial of what's contributed
To the arc; to it's genesis
Does sounding fury out
Make it significant?
I bet it won't
And you know it doesn't work
The false memory of control
To Keep the light from burning out
Men who think they're wolves
Who think they're sharks
Feed them to each other
We'll all be better off
supported by 4 fans who also own “Feed Them To Each Other”
Ashley Smith's huge voice drives the power and melodies of these trax home.
Full throttle bluesy style Female Fronted vocalization lends itself to sinister post-punk leanings.
Guitars cut and slash in punky power rhythms.
"Snake in Sales" just simmers with its EP closing change of pace rave up. Agent K
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