well you live too well to change not well enough to end up happy sooner choke on your own tongue than spit out one more please or thank you you’ve been playing along now it’s all catching up and you cannot keep up with this game just cause you think you know a liar from all the lying you’ve been doing you’re in worse than you assume and you assume too much too often you complain you could change a curse under calluses call in the cavalry let’s hope we’re not too late you wanna know how it works how does it work how does it work you’ve got to take it apart take it apart, take it apart you wanna know how it tastes you’ve got to break it open if you wanna find out secrets then you’ve come to the right people it seems i’ve got one half mind to holler half a mind to scream and shout what’s a boy to do about it but lose control of one’s whole self is it enough to cause you problems if it’s already gone to hell it’s not a problem it doesn’t matter at all you can’t afford to make some trouble you won’t always get away with it you can bend the rules but who will explain it when they break when you’re this high up on the food chain it’s not a problem it doesn’t matter at all you wanna know how it works how does it work how does it work you’ve got to tear it apart tear it apart tear it apart you wanna know how it tastes you’ve got to rip it open if you wanna find out secrets you’ve still come to the right people it would seem you don’t go far enough barely a sound beneath your battle cry hold still this won’t take long but it’s probably going to hurt like hell wait right here i’ll be only a minute never take my time when it comes to taking my time things just get complicated that’s how it goes when you’re used to getting it right or wrong it seems so optional my god how is this my problem why try to make sense of every situation if it comes and it goes it’s gone, you get over it
Ashley Smith's huge voice drives the power and melodies of these trax home.
Full throttle bluesy style Female Fronted vocalization lends itself to sinister post-punk leanings.
Guitars cut and slash in punky power rhythms.
"Snake in Sales" just simmers with its EP closing change of pace rave up. Agent K
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